mercoledì, 02 giugno 2004

a found sketchbook

found among the things of someone who can’t tell me about it.
i guess she must have found it in turn; i don’t know when – no later than 2001, not sooner than 1997, i think – and i don’t know where: in england or wales, probably in london, but... forgotten on a bus? thrown away? among books in a charity shop?
i'm so curious because, in fact, i know whose this is. it’s a book of sketches and notes for the stage design of a theatre production, and inside the cover the designer wrote her address and the theatre’s.
maybe the luzern stadttheater production of the elixir of love is long gone – I couldn’t find it listed on the internet – maybe ms jacqueline gunn (hers are the lovely pictures below) doesn’t care anymore about having her sketchbook back.
but, i wonder: should the finder have sent it to the cover address? should i do so now? do i have the right to be here posting this?
(oh, if the author could read this and tell me! or maybe she could tell me: take it off your site, immediately, and burn it...)

JG1JG2  JG3

Emerso da rose verso le 10:47 | annegareunarosacosewhy this weblog is afraid of water | Comments (4) | TrackBack

giovedì, 13 maggio 2004

paris, les halles

irma parisdespoeteshaving read about le ventre de paris yesterday at chocolate&zucchini, and having talked about film images of paris in a post of mine the day before, i thought i'd share a few 1960's images of les halles.

left, a frame (or set picture?) from one of my favourite paris-american comedies, irma la douce, next to a street scene from the neighbourhood (that's from maurice rué, paris des poètes, hachette 1965).
and, there's an online exhibit about the film's set designer, alexandre trauner, here (i didn't know he designed subway too).

below, click on the thumbnails for pictures scanned from qui parigi, touring club italiano, 1968 (sky views by alain perceval, photographs by giancarlo botti and monique valentin).

touring2 touring3 touring1

only at the end of 2003, the last time i've been to paris (where i've bought the gorgeous dress i'm wearing now, but i won't digress further), did i vist the interior of saint-eustache. i had been reading john berger's the shape of a pocket (sacche di resistenza, giano editore, varese 2003), and wanted to see raymond mason's sculpture: fruit and vegetables leaving paris, february 28, 1969. you can see it below, on a postcard bought on site and in a detail distorted by my husband's wicked eye.

raymond mason, halles masonpx

of course i wanted to end on a catastrophic note showing something from ferreri's movie non toccare la donna bianca, shot in the canyon-like excavations made after the demolition of the old pavilions, but i couldn't find pictures online - i will have to search the books.

update, 14.06.04: tournage di ferreri e altre immagini cinematografiche delle halles sul sito dedicato ai progetti di riqualificazione (finalmente) dell’area.

update, 3.06.04: aggiungo qualche immagine dal dvd della mgm di irma la dolce.

irma-halles7 irma-halles6 irma-halles4
irma-halles3 irma-halles2 irma-halles

Emerso da rose verso le 11:15 | annegareunarosacittà e altri luoghivisioni | Comments (0) | TrackBack

sabato, 03 aprile 2004

filastrocche come vengono

your pointy pink-black fingers
in search of snagging threads
will cause no hurtful blisters
they only drive me mad

Emerso da rose verso le 09:36 | annegareunarosa | Comments (1) | TrackBack

venerdì, 27 febbraio 2004

devastating elegance

You carefully weigh every word, because you know that confessions blurted out are often regretted, and can never be taken back. But just because you're restrained, doesn't mean that you're uptight. You'd just rather reveal yourself when the moment is right, because timing is everything, and giving everything away, right away, seems tacky. Which is why you'd never be caught dead flashing a thong in a pair of below-the-equator jeans. Nope, you much rather slay them with devastating elegance, followed with a slam-dunk of inspired surprises.
clever copy for a shopping site (and to sell a handbag, of all things): here's mighty flirt.
Now, instead of stopping losing my time like this, I decided to work on a theory explaining what might be behind a seemingly obsessive interest in clothing and accessories. more links, please. (to be continued)

Emerso da rose verso le 15:35 | annegareunarosavulnerant omnes | Comments (0) | TrackBack

venerdì, 20 febbraio 2004

filastrocche come vengono

if snow could shed its light
upon my windowpane
through winter’s longest nights,
I’d shed my coat of pain.

Emerso da rose verso le 10:12 | annegareunarosa | Comments (0) | TrackBack

domenica, 08 febbraio 2004


filastrocche come vengono

someone should have taken
a photograph of me
with cats asleep on either side
wrapped in a furry dream.

[nel titolo del post prima c’era un refuso: folastrocche.]

Emerso da rose verso le 22:19 | annegareunarosa | Comments (0)

mercoledì, 17 dicembre 2003

filastrocche come vengono

I thought I’d found a way
of keeping it at bay
but ’twas the warmth of summer
that made it go away.

Emerso da rose verso le 00:41 | annegareunarosa | Comments (0) | TrackBack

filastrocche come vengono

boxes and spools all over your pockets
waiting for words to use them as lockets
singing the music you love to have near
looking for frames to keep your mind clear:

let them remind you your eyes have to rest
your fingers should sleep, drop every nonsense
the dreams you record on reels and by heart
can bring you the wings you’d want for a start

Emerso da rose verso le 00:30 | annegareunarosa | Comments (0) | TrackBack